Slightly Out of Focus

  • Archive
  • RSS
  • I dare you.

Being silly

Sometimes when I read poetry, I genuinely despair at what my life is. I don’t know that I’ll every be able to capture an emotion, a relationship, a sensation so cleanly and perfectly, but lord, I wish I could. Maybe, some people (meaning me) aren’t cut out for that kind of passionate imposing kind of love. 

Some people fall in and out of love as often as they get on an elevator. Some people find something, and never questioning what it is, fall into patterns of stability and ease - that’s love for them. Some people are struck by lightening and hit by buses, bowled over by something turbulent and destructive. 

Not me. It’s odd to know so much of what a relationship should be without ever having experienced it. I know about breakups and heartbreak, cold shoulders, burnouts, the whirlpools of self-destructive behavior. The healthy relationship is a bit of a holy grail to me, and really, that’s all I want.

I don’t want to think about the MPRE. I don’t want to think about CLQ edits, my Mindfulness seminar, catching up in Labor Law, Crim Pro, professing some knowledge of business and interest in Contract Drafting.  I don’t want to think about my dad’s recovery and his complications or my mother’s health. I don’t want to worry about the future. 

It’s spring. I can smell it in the air. I can feel it in the wind. Yeah, like Pocahontas. I want to lie in the grass in the sun with my head on someone’s stomach, drinking cheap cold wine and listening to birds and playground violence. I want to come home and cook dinner with someone, yell at the tv screen for opposing basketball teams, drink beer and fall asleep with two comforters: one down, one human. I want to talk about dumb shit, debate drone politics, cry into someone’s shoulder and yeah, have sex constantly. 

Life is so short. You don’t realize it, but I do, and I love being alive; I just don’t always feel like I’m living. I haven’t really figured out how to live with someone. Damnit, though, I know how to live by myself. When love is the only thing worth complaining about, life is good.  

This post rambles quite a bit and I’m sorry for that.  The last 6 months have been very rough.

RIP Betty Ho, Jess Lum, Janet Liang. Lots of people love you ladies.

    • #personal
    • #words
    • #relationships
    • #life
    • #love
    • #rip
  • 1 month ago
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

Source: Spotify

    • #life
    • #listen
    • #philosophy
  • 2 months ago
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

Surgeon performs controversial cancer surgery named after him

[I am so amazed by how advanced our medical technology is, especially after recent events. Thank god for doctors like this. Please check out the photo gallery if you read this article by clicking on the link.]

By Del Quentin Wilber, Published: November 25

Paul Sugarbaker takes an even breath, leans over the left side of his patient and slices her iodine-coated abdomen from pelvis to ribs.

The air of the red-and-pink-tiled Operating Room 1 of MedStar Washington Hospital Center is chilly and smells of antiseptic; the only sound comes from the beep-beep-beep of the heart monitor as a digital clock on the wall flips silently from 11:09 to 11:10 a.m. In just five seconds, the surgeon completes the 12-inch incision, beginning what will be a marathon operation that he hopes will rid his patient of cancer.

After 15 minutes of slicing with his No. 10 blade and of searing flesh with his cauterizer, the surgeon confronts the enemy — a grape-sized tumor lodged in scar tissue from previous operations. With his left thumb and index finger, Sugarbaker peels back tissue and peers at the mucinous wartlike blob. He excises it with one clean swipe of the scalpel and plops it onto a steel tray. The swift act feels good, but only for a moment. The gray-haired surgeon, clad from head to toe in blue surgical garb, knows what lies ahead.

The high-stakes surgery will last 10 hours and involves cutting open the patient’s abdomen, removing her organs and hundreds of tumors, and then soaking her belly in a toxic elixir of chemotherapy drugs for 90 minutes. If everything works well, Sugarbaker says, the patient has about a 33 percent chance of living another five years and a 25 percent chance of being cured. Without it, he says, “her chances of survival are near zero.”

This is the Sugarbaker procedure — a controversial operation that is seen as the last hope for those suffering from advanced stages of some cancers. It is performed about 1,000 times a year at more than 100 medical centers across the country and is named after this 71-year-old blue-eyed surgeon, who has dedicated an entire career to pioneering, honing and promoting this treatment, which has left him with a permanent stoop from having spent so much time hunched over patients. He performs about 70 such operations each year on cancers that have spread into the abdomen from places such as the appendix and colon.

Whether he’s jetting across the globe to preach his procedure’s benefits at medical conferences or conducting back-to-back marathon operations, Sugarbaker is racing against time, hoping to outlast his critics and establish a legacy that he believes will save many more lives. His determination is not unique to medicine, but in Sugarbaker’s world, the stakes could not be higher. He is often his patient’s “last hope,” the surgeon who will operate when others have declined to take the chance.

Like many doctors treating those with potentially deadly illnesses, Sugarbaker faces countless questions — some of the same ones raised by his detractors — that will only grow more sharp as the country begins to focus intensely on reducing health-care costs: Does he turn away a patient who is too sick? Does he continue an operation even when hope seems lost? Is it worth the time? Will the surgery and subsequent hospital stay be worth the estimated $120,000 cost?

There are no easy answers, as will prove true in the case of this 58-year-old patient with metastasized colon cancer, Laurie King — not on the day of the operation earlier this year and not months later.

Perhaps the only thing approaching an answer is a quotation on tattered paper that the surgeon has taped to his office’s filing cabinets, which contain the records of every patient he has treated over his long career:

“You never know how far you can go until you have gone too far.”

Making the call

It is 30 minutes into the operation, and the rhythmic beep of the heart monitor has been overtaken by the roaring of four vacuum tubes that suck away smoke generated by the cauterizer; the room now smells like burning tires, blood and bile. Sugarbaker is being assisted by two nurses and another surgeon who crowd the operating table. He has already fully opened the abdomen, removed several tumors and is inspecting tissue and organs to determine whether the cancer has spread too far to continue.

Despite advances in radiology, cancer can still surprise a surgeon, and Sugarbaker has stopped countless procedures because it would be too difficult to remove enough cancer to make a difference in the patient’s long-term survival.

First, he studies King’s gall bladder, spleen, greater and lesser omentums, uterus and ovaries: All are all infested. King’s peritoneum, a thin layer of tissue the consistency of plastic wrap that encases the abdomen and individual organs, is teeming with tumors. The surgeon next studies the liver and sees that its peritoneum is affected, but the liver itself seems fine. That is a good sign. He can remove the peritoneum, but if he had felt a tumor inside the liver, he would have to halt the operation. The other organs are a different matter — King can survive without them.

Next he inspects the woman’s small intestine, the Achilles’ heel of the surgery. Through his double-gloved hand, he feels the twisting coils and then leans down to get a closer look. He counts small nodules and stops when he tops 500; most of them are the size of an eraser-head or the period at the end of this sentence. This is bad and good – more cancer than he had hoped but no large growths. He turns to his right and tells the nurse manning the anesthesia machines that it’s “time to reserve a berth” in the post-operative intensive-care unit. The meaning is plain: He is moving ahead.

Evaluating ‘a fighter’

Just a day earlier, Sugarbaker hadn’t been so sure there would be an operation. He was sitting knee to knee with King in a drab examination room. To his left was King’s 21-year-old daughter, Michele, and King’s best friend, Susan Shandler. All three had spent the night in a motel after having driven up from their homes in the Roanoke area. King, bundled in a thick gray sweater and a purple scarf and winter hat, sat in a wheelchair because she was too weak to walk.

It was King’s second meeting with Sugarbaker in a matter of weeks, and now the surgeon, wearing a white lab coat and green surgical scrubs, was growing increasingly grim as he shuffled through scans that had been taken of King that morning.

“That’s undoubtedly cancer,” he told King, pointing to what looked like an orange peel covering her liver on a scan.

“There is a lot more here than I would like to see, based on what [the last surgeon] reported seeing and what the last scan revealed,” he said in a nasally twang that betrayed his upbringing in rural Missouri.

“I think,” he said, pausing. “I’m going to find a radiologist to help me look at these. I don’t want to do a surgery on you tomorrow if it is not going to help you, you know what I mean?”

King stared at the wall, then blinked. Looking into her eyes, Sugarbaker could tell that she had not considered the possibility of being turned away. He did not know that two other surgeons had declined to perform this very procedure on King; one had even told her that she was “a lost cause.” But he was impressed with her determination — “I’m a fighter,” she had said more than once — and her biography. The single mother was an emergency room physician who knew the risks and was desperate to win more time with her daughter.

“You are eager to go ahead with this, aren’t you?” Sugarbaker said. King nodded. “Let me go find a radiologist.”

After consulting with the other doctor, who reviewed the scans and convinced Sugarbaker that the operation might be helpful, the surgeon returned to the examination room, sat down and said, “I think we can try. But I wish you were a little more of a straightforward case.”

“If anyone can do it,” King replied, “it’s you.”

The operation

Sugarbaker and Lana Bijelic, an attending physician who often assists in his surgeries, retract more of King’s skin to get better access to the abdomen and continue to scrape and zap cancer nodules.

The surgeon turns to the greater omentum, an organ that helps the body’s immune system. It is covered in tumors, one the size of a plum. The omentum is fed by about 40 arteries and veins, and each must be dissected to allow him to remove the organ. It is a tedious process. Sugarbaker first clears scar tissue in the area — King had two previous operations to treat the colon cancer and a bowel obstruction — then ties knots an inch apart on each vessel before snipping between the knots.

So far, Sugarbaker and Bijelic have exchanged a total of only a dozen or so words — they have worked together so often that she knows what he is going to do before he does it.

Sugarbaker has long believed that surgery should never become too tedious, because that is when mistakes are made. So after separating the 26th artery, he turns his attention to another part of the peritoneum, where he spots a fist-sized tumor in what he calls the “gutter.” It takes him about 15 minutes to wrestle it loose. Then he scours the liver’s peritoneum with his cauterizer, turning the pink surface gray.

He shifts focus back to the greater omentum, and after 30 minutes of cutting and searing, he removes it, the gall bladder and the spleen in one big cancerous clump. The ovaries, uterus and a large chunk of the peritoneum go next.

Five hours into the operation, King’s temperature has dropped to 94 degrees, and Sugarbaker tells a nurse to pour warm saline into the abdomen. For the next 20 minutes, Sugarbaker washes away blood and tissue so he can better remove tumors and stitch shut bleeding vessels.

By 5 p.m., it is time to start the chemotherapy “bath,” and the nurses hook up the lines and probes to supply and monitor the toxic liquid. One flips on the machine that will pump chemotherapy into the body; it hums to life, and in about 10 minutes fills the belly with orange poison.

Sugarbaker excuses himself from for the first time and shuffles to the doctor’s lounge to nibble on an egg-salad sandwich prepared by his wife, Ilse, who happens to be his office manager (one of his three daughters is a nurse in the office, too). The break doesn’t last long.

At 6:15 p.m., a nurse pokes her head into the room to say that Bijelic is on the phone.

An ‘old-time surgeon’

Sugarbaker lives a fairly spartan life — his house in Northwest Washington has no ostentatious furniture or works of art and is heated by a wood stove that he fuels from trees chopped down on a relative’s property. Except for refurbishing trunks, snowboarding and sailing, his downtime is spent thinking about work — his living room coffee table is stacked with medical journals, not picture books.

To those who know him, this is no surprise because if anyone was destined to be a surgeon, it was Paul Sugarbaker. The second of 10 children born to Everett Sugarbaker, a renowned surgical oncologist, and Geneva, an education advocate who turned 100 in October, in Jefferson City, Mo., Sugarbaker was expected to become a doctor, just like his other siblings.

Sugarbaker excelled in school, eventually making his way through Wheaton College and then Cornell University Medical School. By 1976, he had joined the staff at the National Institutes of Health, where he learned about other doctors combining surgery and chemotherapy during an operation — known officially as “cytoreduction and heated intraperitoneal chemotherapy.” The premise was that the surgeon would remove as much cancer as he or she could see and then fill the patient’s abdomen with chemo drugs that would kill whatever remained.

“The whole thing just made common sense to me,” he said.

He and other doctors launched an intense effort to test and refine the procedure. In 1986, he left NIH for Emory University’s hospital, which he would leave after just three years. “They thought I was overly aggressive,” Sugarbaker said.

He joined the staff of MedStar Washington Hospital Center, where he is now director of the peritoneal surface oncology program. Within a few years, he was being criticized again — a top surgeon wanted to push him out because patients were suffering from too many post-operative complications. Oncologists and others rallied to Sugarbaker’s defense, noting that his patients were all doomed to die without his help, said James Jelinek, a friend and chairman of radiology at the hospital.

Sugarbaker won over doubters by reducing complication rates — about 1 percent die during or shortly after the operation, and about 12 percent experience serious post-operative problems — and by deploying his easygoing nature and working so assiduously, Jelinek said.

In that same way, he has handled his more recent critics, who do not doubt Sugarbaker’s skills as a surgeon but say that there are few, if any, studies that show the procedure actually works, especially in the case of colon cancer.

The procedure, which has grown in popularity in recent years, has generated debates at medical conferences and has been detailed in national medical journals and general interest publications, such as the New York Times.

The Sugarbaker procedure “isn’t like dispensing aspirin,” said David Ryan, clinical director of the Massachusetts General Hospital Cancer Center. “This is potentially harmful therapy.”

Despite their differences, Ryan said he respects Sugarbaker, calling him “the quintessential old-time surgeon. He’s a super-nice guy, hardworking. He’s kind to his patients. He’s very straightforward.”

Sugarbaker, who has founded a nonprofit group that funds cancer research and recently published a massive textbook on his technique, says the debate was settled long ago about his procedure’s effectiveness in battling appendiceal cancer that has spread to the abdomen and peritoneal mesothelioma, a rare cancer linked to asbestos exposure. Survival rates for patients suffering from those cancers are 50 percent for at least five years if they undergo his procedure, Sugarbaker said.

The surgeon said he would welcome a randomized study — in which some patients get the treatment while others do not — to prove it is effective in treating colon cancer, which spreads to the abdomen in about 10,000 patients each year.

The problem with setting up such a study, he says, is how to find participants for a truly randomized trial.

“How do you tell someone that you won’t treat them, operate, remove the cancer and then give them [heated chemotherapy], which you believe is their only chance at survival, and they are then certain to die?” he said.

Complications

Sugarbaker scrubs his hands in a sink outside of OR 1 and backs through the double doors. “What, where are we?” he asks Bijelic as a nurse puts on his surgical gown and gloves.

Bijelic reiterates what she had told him by telephone: The patient is bleeding at an unacceptable rate. Sugarbaker peers into her abdomen and sees that the normally orangish elixir is bright red from blood.

This is not good; Sugarbaker orders transfusions to make up for the blood loss.

“I think we have to cut this short; we’ll do it for 60 minutes, not the full 90,” he says.

It takes about 10 minutes for the chemo to drain. And after 10 more minutes of searching, Sugarbaker finds the “bleeder” and stitches it shut. Then he fixes four more while excising dozens of small tumors. After about an hour, he and Bijelic are ready to “close” the patient, meaning it’s time to sew her back together. While some surgeons leave this tedious part of the operation to underlings, Sugarbaker says his father taught him a valuable lesson as a youngster: “Cleanup is part of the job.”

By 9:10 p.m., King is being wheeled to intensive care and Sugarbaker is negotiating a warren of hallways to find King’s daughter, Michele; King’s close friend Shandler; and Shandler’s husband in the waiting room. With his surgical mask dangling around his neck, Sugarbaker escorts them to an oblong windowless office and explains that there were not a great many surprises, except for a large amount of tumor in the scar tissue from previous surgery.

“We got caught there for a long time,” he says. “We moved very, very slowly.”

After a typical back-and-forth between relatives and a surgeon about King’s bleeding and hospital stay, Shandler asks a more profound question: “Did you save her life?”

Sugarbaker is quiet, gathering his thoughts as he jots a note on a pink hospital record. “Let’s be conservative,” he says. “Let’s just say we got a good start on it, and we did what we set out to do.”

The surgeon awkwardly accepts a big hug from a teary-eyed Michele, excuses himself and heads toward the elevator, his step a beat slower than when the day had started. It is just after 10 p.m., and he still is not done — he is heading back to his third-floor office to dictate his notes while they are still fresh in his mind. In just a few hours, he will be back at work, checking on King, other patients and then launching another 10-hour surgery.

After the surgery

King, whose insurance company picked up the tab for the procedure and its related treatments, had a rough hospital stay of five weeks — three beyond what was expected — because she suffered from a lack of nutrition, a breathing problem, a thyroid issue and pain. When she was finally discharged, Sugarbaker was optimistic, however — her cancer seemed to be in retreat.

But then the patient was rehospitalized in Roanoke for pain, and a feeding tube was inserted in her bowel to help her gain weight. In August and September, Sugarbaker heard disturbing reports from King’s doctors in Roanoke that her cancer levels had risen, she was not eating enough and was still experiencing extreme pain. The surgeon was beginning to wonder whether he had made the right call in operating on her.

Sugarbaker often does not examine patients after they leave MedStar Washington Hospital Center and tracks their progress through updates from oncologists and from the thank-you notes — from the living — he receives during the holidays.

But he would see King again, shortly after her Roanoke doctors detected what they thought might be an abscess or cancer in her bowel. When Sugarbaker walked into King’s second-floor hospital room in October, he expected to see a woman clinging to life.

Instead he discovered that King had put on some weight and had color in her face. She was even walking. He ran tests and determined that the growth was benign inflammation. Blood tests revealed her cancer was actually in remission — the surgery and chemotherapy cocktails delivered by her doctors in Roanoke were working. Sugarbaker felt pleased when King left the hospital after just two days, a huge smile on her face.

For now, it seems, the surgeon didn’t go too far.


    • #medicine
    • #science-y
    • #technology
    • #amazeballs
    • #life
    • #Healthcare
    • #Cancer
  • 5 months ago
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+
'\x3ciframe width=\x22500\x22 height=\x22281\x22 src=\x22http://www.youtube.com/embed/JvxHPtEsmFc?wmode=transparent\x26autohide=1\x26egm=0\x26hd=1\x26iv_load_policy=3\x26modestbranding=1\x26rel=0\x26showinfo=0\x26showsearch=0\x22 frameborder=\x220\x22 allowfullscreen\x3e\x3c/iframe\x3e'
    • #watch
    • #love
    • #relationships
    • #life
  • 6 months ago
  • 2
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

Wanting Meaningful Work Is Not a First World Problem

by Umair Haque  

“I read your latest essay.” Arms crossed, eyes ablaze. “I don’t think you get it. At. All. I really don’t.”

I’d met Sophie, one of my mentees, for what I’d thought was going to be a pleasant chat over good coffee on a perfect autumn day.

“Meaning,” she muttered, staring darkly into her cup. And then glaring at me, continued, “What planet are you on? I’ve got student debt, credit card debt, an underpaid so-called job that makes me nauseous, a broken car, and a failing relationship.”

“Meaning,” she said again. This time, with scorn and a sneer. “Is a luxury. One that I can’t afford — and probably never will be able to. That’s reality outside the gilded cage and ivory tower. Get it?”.

Many of us, I’d bet, feel like this: in a hardscrabble age of austerity, the search for meaning is an unaffordable self-indulgence, the torrid affair that painfully breaks up the quietly satisfying marriage, an idly romantic daydream, the jackpot whose price is misfortune; that if one is to survive another lost decade, searching for meaning is something like mining the fools’ gold of life.

But she wasn’t done with me yet. “What about the Mumbai slum-dweller?,” she challenged, raising her eyebrows. “Should he seek meaning? Is he going to find a golden ticket to Willy Wonka’s candy factory of meaning amidst the rubbish heaps? Isn’t it a ludicrous fantasy to ask those struggling to eke out subsistence to live on meaning? Can you fill your belly and your wallet with meaning? Isn’t meaning just the ultimate first world problem, just another saccharine flavor of: hey, which color leather should I choose for my new luxury SUV to match my plush designer handbag?”

Man, let me tell you. I felt a little like Chris Rock going to the bar only to get waterboarded by the genetically engineered nightmare child of John Boehner, Dick Cheney, the ghost of Ted Nugent, and Darth Maul.

Most of us, I’d bet, are something like naive Maslovians — we subscribe to a theory of human motivation, and human values, that line up altogether too neatly with Maslow’s famous pyramid, without considering the deeper nuances of his insights. The naïve Maslovian story goes something like this: choose your lower needs over your higher wants, and you’ll lead a materially rich — but emotionally and spiritually unsatisfying life. Meaning is a luxury — but it’s one, like a good watch, car, or handbag, you’d be wise to enjoy at some point.

I’d like to tell a different story: one in which meaning isn’t merely a luxury, but a necessity. While it’s true that we must fill our bellies, and our minds, it’s equally — if not more — vital that we should fill, to the very brim, our lives. With the searing sense that they have counted in human terms; with the mighty grace and quiet power of meaning.

What happens in a society that calls meaning a luxury — like a fleet of private jets, a dalliance reserved for the ranks of the idle rich?

As “consumers” we shop for the “everyday low price” — without regard for the vitality the butcher, the baker, and the barber bring to our communities, our families, and our lives.

As citizens, we reduce our civic selves to “voting” for the “candidate” who represents our most immediate, narrowest, perhaps self-destructive self-interest — the common good be damned.

As “workers,” “executives,” or “leaders,” we become little more than instruments serving the glacial goals of blind machines; puppets of shareholders, marionettes of markets, much less than thinking, feeling, judging beings, who stand tall for a more enduring and worthy ethos, even in the face of adversity, hardship, and disaster.

And so our economies, societies, and polities; our cities and towns; our culture and principles; our imagined future and intended present begin to fray and buckle and crack. That, of course, is the timeless parable of right here, right now, the dismal, failed status quo.

Meaning, then, is something like a responsibility — not merely a need. It resides and resounds, like the human experience, between us. It transcends the narrow confines of the self — and connects us, through the power of grace and purpose, to the human world around us. It is the act of investing in what we profess to care about; in caring about what we profess to love; in not merely “expressing our values,” but valuing that which is worthwhile in lasting human terms, and so arcing the trajectory of not just our own tiny lives, but those of the people around us, towards the just-glimpsed sunrise of mattering.

Let me put that more sharply. “Let the devil take the hindmost” — it’s famously the perfect expression of every great bubble through human history; and when meaning is a luxury, not a necessity, just another urge to satisfy, not a responsibility to master, our set of human action sums to something like a furiously pumped-up futility bubble; of the banal, trivial, and false, filled to bursting point, at the expense of the worthy, noble, and true. We become con men stalking the dull gray perimeter of human potential, dime-store looters of the fullness of the human self; Ponzi-schemers of the human soul, inflating a bubble of Machiavellian narcissism, which, when it bursts, leaves us with little more than hazy memories of lives which as if they’ve barely touched the sunlit peaks of living — because the unforgiving truth is that they haven’t. When meaning comes last, we sleepwalk through our lives, zombies pirouetting in an empty theatre of choice.

The revolutionary psychoanalyst Frantz Fanon once famously wrote of “the wretched of the earth.” The slum-dwellers and migrant workers; the indentured servants and child labourers; the subsistence farmers and the three billion who live on less than $2.50 a day: these are today’s wretched of the suffering, straining earth. They’re as invisible to you and I, in our glittering business-class titanium bubbles, as the earth is to the distant stars; just so much human rubble that we cruise past, over, beyond.

To deny one responsibility is to deny one the power of agency. And to suggest that the slum-dweller, the migrant worker, the forgotten billions, can’t and shouldn’t be concerned with meaning is to relegate the wretched of the earth to mere consumers; to rob them of their fuller potential; to reduce “them” to less than fully human — and so, in the process, to draw a crude distinction, to dehumanize “us” as mere vessels of need, rather than authors of destiny — in the rawest sense.

For meaning is the essence of what it means to be human; you and I, homo sapiens, search constantly for tiny flickers of meaning in every tangle and buzz of the world around us, and it defines our experience not just as living things — but as human beings.

It isn’t a first world problem — but a human challenge. Should one see it as a luxury — and McFood, mega-malls, and debt payments as the necessity — one is mistaking the cubefarm for the open road; the kiss for the feeling; the price for the point.

You and I, each and every one of us, have not merely the slack-jawed consumer’s need to live pleasurably, but the enduring human responsibility to live lives that matter. Not for the sake of our own evanescent self-gratification, but for the enduring obligation of fulfilling, one tiny act of furious purpose at a time, the humbling privilege of life.

“The oppressed will always believe the worst about themselves,” Fanon once famously argued. If you and I, despite our iStuff and internet, our wealth and tranquility, are oppressed — not merely relegated by the failure of our institutions to McFutures, stagnation, and lost generations, but subjugated by a broken paradigm of what it means to live well, to becoming emotionally stunted, socially blunted, willing to embrace, like an old friend, the diminution of the fullness of our potential — then perhaps it’s by denigrating meaning, the essence of the human experience, to the status of a sumptuous handbag or a shiny watch that we became something like our own perfect army of oppressors.

And perhaps the greatest injustice we can do to the world’s wretched is to ask them to be consumers first, and humans last; to invite them to join us in this nihilistically relentless spin cycle of self-loathing, where “they,” for now, can merely hope to be disposable “workers” who make trinkets to satisfy “our” insatiably empty appetites; perhaps the greatest tiny act of grace we can offer one another, rich or poor, is the promise of better lives, in the fullest, truest, and noblest — not merely the narrowest, emptiest, and falsest — sense. Perhaps that’s what love — and revolution — is.

No — you can’t fill your belly with meaning. Nor can you fill a life with McJunk. Yes — when it comes to life, especially in the teeth of great adversity, one must be savagely pragmatic, relentlessly realistic, hard-nosed, tough-jawed. And there’s little more pragmatic than, especially under the Medusa’s gaze of misfortune and hardship, looking up, just for a moment, and breathing in the sky.

    • #philosophy
    • #life
    • #social contracts bitches
  • 6 months ago
  • 3
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

We have lost even this twilight.
No one saw us this evening hand in hand
while the blue night dropped on the world.

I have seen from my window
the fiesta of sunset in the distant mountain tops.

Sometimes a piece of sun
burned like a coin between my hands.

I remembered you with my soul clenched
in that sadness of mine that you know.

Where were you then?
Who else was there?
Saying what?
Why will the whole of love come on me suddenly
when I am sad and feel you are far away?

The book fell that is always turned to at twilight
and my cape rolled like a hurt dog at my feet.

Always, always you recede through the evenings
towards where the twilight goes erasing statues.

Pablo Neruda, X We Have Lost Even

because life is too precious to waste by not doing what you want or by waiting on other people. Find what makes you happy, not who, and chase it. 

    • #poetry
    • #love
    • #loneliness
    • #life
  • 7 months ago
  • 2
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

The Single Person’s Declaration Of Independence

JUN. 19, 2012 

By STEPHANIE GEORGOPULOS

When in the course of human events it becomes necessary for a single person to tirelessly qualify their vague relationships to curious aunts and grandchild-hungry mothers and married friends and nosy coworkers, a decent respect to the opinions of people who can’t mind their goddamn business requires that the single person should declare the reasons why they’re, well… single.

We hold these truths to be self-evident, that we’ve put ourselves out there on OkCupid and in bars; that 50 First Dates isn’t just the title of some godawful romcom (JK love it), but something we’ve actually attempted in the pursuit of happiness; that we have been subjected to unanswered text messages, and insane exes, and people who pen really great online dating profiles but turn out to be mute or to hate their mothers in unnatural, character-defining ways; and whenever we’re faced with the prospect of settling down with someone we despise to fulfill the long established expectation that we’re young and attractive but not young and attractive forever so could all you single people get it together and quit sleeping around? — it is our right, our duty, to be like… yo, have you seen the divorce rate lately? I mean, we’re trying our hardest out here to find someone we like enough to introduce to our friends, really we are, this doesn’t make us bad people but rather it makes us discerning people who just haven’t found their ‘missing piece’ yet, to quote Shel Silverstein, — And via this document, we come together to explain our non-relationship status and how like, being single is not akin to being misguided or damaged or some nefarious Hitler-type character. To prove this, let facts be submitted to a candid world.

We were, at some point, in unhealthy relationships that we ended in hopes for a better tomorrow — one in which our friends and families do not gossip endlessly about how toxic our relationship is.

We are not sure what we want and are harmlessly trying to figure that out by taking a few cars for a test-drive rather than like, committing to driving a hand-me-down lemon just because it’s available and basically free.

We like sleeping in unconventional formations that make it difficult to share a bed with someone every night.

We are seeing someone we kind of like, but we don’t want to spoil it by discussing it with you, of all people.

We feel that giving birth to a child is probably something we should decide to do because we’re ready and not because you think you might die before you get to see it happen.

Ditto re: marriage.

We are secretly still sleeping with our ex, we didn’t tell you because we knew you’d judge us… see that face you’re making? We knew you’d judge, it’s like you can’t even help it.

Our television viewing habits are kind of off-putting and will only be well-received by a very special person who we have not yet found.

We are waiting for equal marriage rights for every American, we are very socially evolved like that. Also, single.

We are still working on loving ourselves, we feel like that’s important.

We went on a few dates with this one guy who seemed promising, but has sort of faded away without just cause and it’s kind of a sensitive subject.

We have been set up on dates with people who are so painfully wrong for us that it seriously makes us question our friendships with the people who set us up, launching us into a whole new realm of confusion and despair.

We just feel like it right now, okay?

We, therefore, Single People the World Over, do, in the name and by the authority of the good single people who identify as such, solemnly publish and declare, that we are absolved from all your weighty expectations and judgements regarding our less-than-married lifestyles. You should probably just, like, dissolve all of your preemptive ideas about how, when, and why we’re going to settle down. This document, the Single Person’s Declaration of Independence, pretty much requires that you do so. And documents, especially those on the internet, are binding and must be abided by or… else. For the support of this Declaration, we mutually pledge to each other our lives, our fortunes, and our sacred honor — until we get married, because we’re pretty sure our spouses get first dibs on our lives and fortunes and stuff and there’s just not enough to spread around. You understand. TC Mark



    • #words
    • #relationships
    • #life
  • 7 months ago
  • 1
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+
I think that once you get over the age of 20, you begin to understand that there’s a lot of places where you can fall in and they are just locations of stases. Locations of paralysis. Places where there’s no growth. And whether it’s a job, whether it’s a way that you decide to pursue your life, whether it’s a philosophy, whether it’s a politic, we all know in our hearts when we’re choosing paralysis. When we’re choosing the dead zone over life.
Junot Diaz, on the life of his character Yunior. (via theatlantic)

(via theatlantic)

    • #words
    • #life
    • #philosophy
  • 7 months ago > theatlantic
  • 732
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

The House That Hova Built

By ZADIE SMITH

It’s difficult to know what to ask a rapper. It’s not unlike the difficulty (I imagine) of being a rapper. Whatever you say must be considered from at least three angles, and it’s an awkward triangulation. In one corner you have your hard-core hip-hop heads; the type for whom the true Jay-Z will forever be that gifted 25-year-old with rapid-fire flow, trading verses with the visionary teenager Big L — “I’m so ahead of my time, my parents haven’t met yet!” — on a “rare” (easily dug up on YouTube) seven-minute freestyle from 1995. Meanwhile, over here stands the pop-rap fan. She loves the Jiggaman with his passion for the Empire State Building and bold claims to “Run This Town.” Finally, in the crowded third corner, stand the many people who feel rap is not music at all but rather a form of social problem. They have only one question to ask a rapper, and it concerns his choice of vocabulary. (Years pass. The question never changes.) How to speak to these audiences simultaneously? Anyway: I’m at a little table in a homey Italian restaurant on Mulberry Street waiting for Mr. Shawn Carter, who has perfected the art of triangulation. It’s where he likes to eat his chicken parms.

He’s not late. He’s dressed like a kid, in cap and jeans, if he said he was 30 you wouldn’t doubt him. (He’s 42.) He’s overwhelmingly familiar, which is of course a function of his fame ­ — rap superstar, husband of Beyoncé, minority owner of the Nets, whose new home, the Barclays Center in Brooklyn, will open this month — but also of the fact he’s been speaking into our ears for so long. No one stares. The self-proclaimed “greatest rapper alive” is treated like a piece of the furniture. Ah, but there’s always one: a preppy white guy discreetly operating his iPhone’s reverse-camera function. It’s an old hustle; it makes Jay chuckle: “They think they’re the first one who’s ever come up with that concept.”

He likes to order for people. Apparently I look like the fish-sandwich type. Asked if he thinks this is a good time for hip-hop, he enthuses about how inclusive hip-hop is: “It provided a gateway to conversations that normally would not be had.” And now that rap’s reached this unprecedented level of cultural acceptance, maybe we’re finally free to celebrate the form without needing to continually defend it. Say that I’m foolish I only talk about jewels/Do you fools listen to music or do you just skim through it? He’s not so sure: “It’s funny how you can say things like that in plain English and then people still do it.” He is mildly disappointed that after publishing “Decoded,” his 2010 memoir, people still ask the same old questions. The flippancy annoys him, the ease with which some still dismiss rap as “something that’s just this bad language, or guys who degrade women, and they don’t realize the poetry and the art.” This is perhaps one downside to having the “flow of the century.”

With Tupac, you can hear the effort, the artistry. And Biggie’s words first had to struggle free of the sheer bulk of the man himself. When Jay raps, it pours right into your ear like water from a tap.

The fish sandwich arrives. Conversation turns to the schoolboy who was shot to death, Trayvon Martin — “It’s really heartbreaking, that that still can happen in this day and age” — and, soon after, to Obama: “I’ve said the election of Obama has made the hustler less relevant.” When he first made this point, “People took it in a way that I was almost dismissing what I am. And I was like: no, it’s a good thing!” He didn’t have Obama growing up, only the local hustler. “No one came to our neighborhoods, with stand-up jobs, and showed us there’s a different way. Maybe had I seen different role models, maybe I’d’ve turned on to that.” Difficult to keep these two Americas in your mind. Imagine living it — within one lifetime!

In “Decoded,” Jay-Z writes that “rap is built to handle contradictions,” and Hova, as he is nicknamed, is as contradictory as they come. Partly because he’s a generalist. Biggie had better boasts, Tupac dropped more knowledge, Eminem is — as “Renegade” demonstrated — more formally dexterous. But Hova’s the all-rounder. His albums are showrooms of hip-hop, displaying the various possibilities of the form. The persona is cool, calm, almost frustratingly self-controlled: “Yeah, 50 Cent told me that one time. He said: ‘You got me looking like Barksdale’ ” — the hot-blooded drug kingpin from HBO’s “The Wire” — “and you get to be Stringer Bell!” — Barksdale’s levelheaded partner. The rapper Memphis Bleek, who has known Jay-Z since Bleek himself was 14, confirms this impression: “He had a sense of calm way before music. This was Jay’s plan from day one: to take over. I guess that’s why he smiles and is so calm, ’cause he did exactly what he planned in the ’90s.” And now, by virtue of being 42 and not dead, he can claim his own unique selling proposition: he’s an artist as old as his art form. The two have grown up together.

Jay-Z, like rap itself, started out pyrotechnical. Extremely fast, stacked, dense. But time passed and his flow got slower, opened up. Why? “I didn’t have enough life experience, so what I was doing was more technical. I was trying to impress technically. To do things that other people cannot do. Like, you can’t do this” — insert beat-box and simultaneous freestyle here — “you just can’t do that.” Nope. Can’t even think of a notation to demonstrate what he just did. Jay-Z in technician mode is human voice as pure syncopation. On a track like “I Can’t Get With That,” from 1994, the manifest content of the music is never really the words themselves; it’s the rhythm they create. And if you don’t care about beats, he says, “You’ve missed the whole point.”

Plenty did, hearing only a young black man, boasting.I got watches I ain’t seen in months/Apartment at the Trump I only slept in once.

But asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands. Then something changed: “As I started getting life experiences, I realized my power was in conveying emotions that people felt.” He compared himself to a comedian whose jokes trigger this reaction: “Yo, that’s so true.” He started storytelling — people were mesmerized. “Friend or Foe” (1996), which concerns a confrontation between two hustlers, is rap in its masterful, full-blown, narrative form. Not just a monologue, but a story, complete with dialogue, scene setting, characterization. Within its comic flow and light touch — free from the relentless sincerity of Tupac — you can hear the seeds of 50, Lil Wayne, Eminem, so many others. “That was the first one where it was so obvious,” Jay noted. He said the song represented an important turning point, the moment when he “realized I was doing it.”

At times he restricts himself formally, like the Oulipo, that experimental French literary group of the 1960s. In the song “22 Two’s,” from 1996, we get 22 delicious plays on the words “too” and “two.”

Ten years later, the sequel, “44 Fours,” has the same conceit, stepped up a gear. “Like, you know, close the walls in a bit smaller.” Can he explain why? “I think the reason I still make music is because of the challenge.” He doesn’t believe in relying solely on one’s natural gifts. And when it comes to talent, “You just never know — there is no gauge. You don’t see when it’s empty.”

In the years since his masterpiece “Reasonable Doubt,” the rapper has often been accused of running on empty, too distant now from what once made him real. In “Decoded,” he answers existentially: “How distant is the story of your own life ever going to be?” In the lyrics, practically:

Life stories told through rap/Niggas actin’ like I sold you crack/Like I told you sell drugs, no, Hov’ did that/So hopefully you won’t have to go through that. But can’t a rapper insist, like other artists, on a fictional reality, in which he is somehow still on the corner, despite occupying the penthouse suite? Out hustlin’, same clothes for days/I’ll never change, I’m too stuck in my ways. Can’t he still rep his block? For Jay-Z, pride in the block has been essential and he recognized rap’s role in taking “that embarrassment off of you. The first time people were saying: I come from here — and it’s O.K.” He quotes Mobb Deep: “No matter how much money I get, I’m staying in the projects!” But here, too, he sees change: “Before, if you didn’t have that authenticity, your career could be over. Vanilla Ice said he got stabbed or something, they found out he was lying, he was finished.” I suggested to him that many readers of this newspaper would find it bizarre that the reputation of the rapper Rick Ross was damaged when it was revealed a few years ago that he was, at one time, a prison guard. “But again,” Jay says, “I think hip-hop has moved away from that place of everything has to be authentic. Kids are growing up very differently now.”

Sure are. Odd Future. Waka Flocka Flame. Chief Keef. Returning to what appear to be the basic building blocks of rap: shock tactics, obscenity, perversely simplistic language. After the sophistication of Rakim, Q-Tip, Nas, Lupe Fiasco, Kanye West and Jay himself, are we back on the corner again? “Yeah, but Tupac was an angel compared to these artists!” He shakes his head, apparently amused at himself. And it’s true: listening to a Tupac record these days feels like listening to a pleasant slice of Sinatra. But Jay-Z does not suffer from nostalgia. He loves Odd Future and their punk rock vibe. He sees their anger as a general “aversion to corporate America,” particularly as far as it has despoiled the planet. “People have a real aversion to what people in power did to the country. So they’re just lashing out, like: ‘This is the son that you made. Look at your son. Look at what you’ve done.’

But surely another thing they’re reacting against, in the Harold Bloom “anxiety of influence” sense, is the gleaming $460 million monument of Hova himself.

Years ago, Martin Amis wrote a funny story, “Career Move,” in which the screenwriters live like poets, starving in garrets, while the poets chillax poolside, fax their verses to agents in Los Angeles and earn millions off a sonnet. Last year’s “Watch the Throne,” a collaboration with Kanye, concerns the coming to pass of that alternative reality. Hundred stack/How you get it? Jay-Z asks Kanye on “Gotta Have It.” The answer seems totally improbable, and yet it’s the truth: Layin’ raps on tracks! Fortunes made from rhyming verse. Which is what makes “Watch the Throne” interesting: it fully expresses black America’s present contradictions. It’s a celebration of black excellence/Black tie, black Maybachs/Black excellence, opulence, decadence. But it’s also a bitter accounting of the losses in a long and unfinished war. Kanye raps: I feel the pain in my city wherever I go/314 soldiers died in Iraq/509 died in Chicago. Written by a couple of millionaire businessmen on the fly (“Like ‘New Day,’ Kanye told me that — the actual rap — last year at the Met Ball, in my ear at dinner”), it really shouldn’t be as good as it is. But somehow their brotherly rivalry creates real energy despite the mammoth production. And in one vital way the process of making it was unusually intimate: “Most people nowadays — because of technology — send music back and forth.” But this was just two men “sitting in a room, and really talking about this.” At its most sublime — the ridiculously enjoyable “Niggas in Paris” — you feel a strong pull in both men toward sheer abandon, pure celebration. Didn’t we earn this? Can’t we sit back and enjoy it? It’s a song that doesn’t want to be responsible, or to be asked the old, painful questions. Who cares if they’re keeping it real? Or even making sense? Check that beat! Then there’s thatword. “It’s a lot of pain and a lot of hurt and a lot of things going on beyond, beneath that.” He offers an analogy: “If your kid was acting up, you’d be like, ‘What is wrong with you?’ If they have a bellyache — ‘Oh, you ate all the cotton candy.’ You’d make these comparisons, you’d see a link. You’d psychoanalyze the situation.”

Rappers use language as a form of asymmetrical warfare. How else to explain George W. Bush’s extraordinary contention that a line spoken by a rapper — “George Bush doesn’t care about black people” — was “one of the most disgusting moments in my presidency”? But there have always been these people for whom rap language is more scandalous than the urban deprivation rap describes. On “Who Gon Stop Me,” Jay-Z asks that we “please pardon all the curses” because “when you’re growing up worthless,” well, things come out that way. Black hurt, black self-esteem. It’s the contradictory pull of the “cipher,” rap terminology for the circle that forms around the kind of freestyling kid Jay-Z once was. What a word! Cipher (noun): 1. A secret or disguised way of writing; a code. 2. A key to such a code. 3. A person or thing of no importance. “Watch the Throne” celebrates two men’s escape from that circle of negation. It paints the world black: black bar mitzvahs, black cars, paintings of black girls in the MoMA, all black everything, as if it might be possible in a single album to peel back thousands of years of negative connotation. Black no longer the shadow or the reverse or the opposite of something but now the thing itself. But living this fantasy proves problematic: Only spot a few blacks the higher I go/What’s up to Will? Shout-out to O/That ain’t enough, we gon’ need a million more/Kick in the door, Biggie flow/I’m all dressed up with nowhere to go. You’re 1 percent of the 1 percent. So what now? Power to the people, when you see me, see you! But that just won’t do. It’s Jay-Z who’s in Paris, after all, not the kids in the Marcy Houses, the housing project in Brooklyn where he grew up. Jay-Z knows this. He gets a little agitated when the subject of Zuccotti Park comes up: “What’s the thing on the wall, what are you fighting for?” He says he told Russell Simmons, the rap mogul, the same: “I’m not going to a park and picnic, I have no idea what to do, I don’t know what the fight is about. What do we want, do you know?”

Jay-Z likes clarity: “I think all those things need to really declare themselves a bit more clearly. Because when you just say that ‘the 1 percent is that,’ that’s not true. Yeah, the 1 percent that’s robbing people, and deceiving people, these fixed mortgages and all these things, and then taking their home away from them, that’s criminal, that’s bad. Not being an entrepreneur. This is free enterprise. This is what America is built on.”

It’s so weird watching rappers becoming elder statesmen. I’m out for presidents to represent me. Well, now they do — and not only on dollar bills. Heavy responsibility lands on the shoulders of these unacknowledged legislators whose poetry is only, after all, four decades young. Jay-Z’s ready for it. He has his admirable Shawn Carter Scholarship Foundation, putting disadvantaged kids through college. He’s spoken in support of gay rights. He’s curating music festivals and investing in environmental technologies. This October, his beloved Nets take up residence in their new home — the Barclays Center in Brooklyn. And he has some canny, forward-looking political instincts: “I was speaking to my friend James, who’s from London, we were talking about something else, I just stopped and I was like, ‘What’s going to happen in London?’ This was maybe a month before the riots. He was like, ‘What?’ I said: ‘The culture of black people there, they’re not participating in changing the direction of the country. What’s gonna happen there?’ He actually called me when it blew up, he was like, ‘You know, I didn’t really understand your question, or the timing of it, until now.’ ”

But still I think “conscious” rap fans hope for something more from him; to see, perhaps, a final severing of this link, in hip-hop, between material riches and true freedom. (Though why we should expect rappers to do this ahead of the rest of America isn’t clear.) It would take real forward thinking. Of his own ambitions for the future, he says: “I don’t want to do anything that isn’t true.” Maybe the next horizon will stretch beyond philanthropy and Maybach collections.

Meanwhile, back in the rank and file, you still hear the old cry go up: Hip-hop is dead! Which really means that our version of it (the one we knew in our youth) has passed. But nothing could be duller than a ’90s hip-hop bore. Lil Wayne? Give me Ol’ Dirty Bastard. Nicki Minaj? Please. Foxy Brown. Odd Future? WU TANG CLAN 4EVAH. Listening to Jay-Z — still so flexible and enthusiastic, ears wide open — you realize you’re like one of these people who believes jazz died with Dizzy. The check comes. You will be unsurprised to hear the Jiggaman paid. At the last minute, I remembered to ask after his family, “Oh, my family’s amazing.” And the baby? “She’s four months.” Marcy raised me, and whether right or wrong/Streets gave me all I write in the song. But what will TriBeCa give Blue? “I actually thought about that more before she was born. Once she got here I’ve been in shock until maybe last week?” Her childhood won’t be like his, and this fact he takes in his stride. “We would fight each other. My brother would beat me up,” he says, but it was all in preparation for the outside. “I was going to have to fight, I was going to have to go through some things, and they were preparing me.” He smiles: “She doesn’t have to be tough. She has to love herself, she has to know who she is, she has to be respectful, and be a moral person.” It’s a new day.

    • #rap
    • #profiles
    • #hip hop
    • #lit
    • #music
    • #life
  • 8 months ago
  • 1
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

You Learn

After a while you learn the subtle difference
Between holding a hand and chaining a soul,

And you learn that love doesn’t mean leaning
And company doesn’t mean security.

And you begin to learn that kisses aren’t contracts
And presents aren’t promises,

And you begin to accept your defeats
With your head up and your eyes open
With the grace of a woman, not the grief of a child,

And you learn to build all your roads on today
Because tomorrow’s ground is too uncertain for plans
And futures have a way of falling down in mid-flight.

After a while you learn…
That even sunshine burns if you get too much.

So you plant your garden and decorate your own soul,
Instead of waiting for someone to bring you flowers.

And you learn that you really can endure…

That you really are strong

And you really do have worth…

And you learn and learn…

With every good-bye you learn

Jorge Luis Borges, “You Learn”
    • #poetry
    • #life
    • #love
    • #relationships
    • #philosophy
  • 8 months ago
  • 2
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

21 More Things I’ve Learned In My 20s

By EVELYN CHEUNG

1. Take advantage of that open bar…unless you’re someone like me who has the tolerance of a four-year-old. Damn my genetics.

2. There are going to be good and bad people wherever you go. You can’t run forever.

3. Imagining your life as a sit-com makes 98% of bad situations better. Some days just f-cking suck. So pretend it’s Christmas.

4. Set your expectations low and your standards high (especially on dating). 

5. Seeing and admitting your flaws is important. Mine? Extreme fickleness, uncontrollable anxiety, being overambitious and too self-critical, talking bullsh-t, overcommitment, blah blah blah. But self-reflection is key for personal change. What are yours?

6. If someone cares about you, they’ll make time for you. If they don’t, then they won’t. But with that said, no one can make time for you all the time. 

7. Club Monaco dresses and Chanel makeup are not good reasons to be broke. But plane tickets, traveling, and new experiences are. 

8. Knowing when and how to sound like a pretentious asshole is useful. But so is knowing your place.

9. There’s a huge difference between loving someone and being in love. And having a tumultuous and volatile love life is really not something to be proud of, although it can be fun at times…

10. If you’re going to give, then just give. Don’t expect anything in return.

11. Alone time is crucial. Dates with yourself are the best. Go sit at your favorite café for another hour. Have that bubble bath. Take the long way home.

12. Karma is very, very real.

13. Listen to advice, even if you don’t like it or it sounds ridiculous to you. (ex. “You should really try a yoga class.” “Are you kidding me…” Well, today, I tried a yoga class. And I liked it.)

14. Not everyone is going to like you. And that is perfectly okay.

15. Killing with kindness is approximately 99% more effective than being a bitch.

16. Being happy doesn’t mean never being sad.

17. The more people you know, the better. Keep meeting strangers and talking.

18. Every single person has a story. Every single person can teach you something new about something you know nothing about. And every single person can teach you something new about yourself. You just have to be open to it.

19. If you want to go to somewhere, then go. Be reasonable, and be smart. But the longer you think about it, and the longer you hold back, the more you are going to hate everyone around you, including yourself. You can’t wait for things to happen. 

20. You really cannot change people, no matter how hard you try. 

21. But you can change yourself



    • #life
    • #philosophy
    • #to do
  • 8 months ago
  • 1
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+
Forget empathy. Schnarch sees a better approach in self-validated intimacy. “You say what you have to say, and your partner either gives a supportive response or says, ‘That is the stupidest thing I ever heard.’” Either way, you pat yourself on the back, respect your own thoughts and feelings, and maintain your sense of self-worth. Instead of asking someone for a stamp of approval, you do what any grown-up does—approve of yourself. The irony is that when you say what you think without fear of rejection, your partner loves and respects you more, because he knows who you really are.
- Pam Weintraub
THE ANGRY THERAPIST: How to Grow Up 
    • #life
    • #maturity
    • #philosophy
    • #self-sufficiency
  • 9 months ago > theangrytherapist
  • 66
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

What Grown-Ups Can Learn From Kids' Books

MARIA KONNIKOVA  

My copy of Le Petit Prince looks like it has been through a natural disaster. Or two. The dust jacket is torn at every edge. What’s not torn is frayed. A piece of scotch tape holds together the é and r of Exupéry. The white background can’t really be called white anymore. And inside, little pencil markings lurk throughout the text (I would memorize passages when I was young), alongside evidence of attempted erasure—but you know how those old-school Number Two pencils are; all the erasers seem to do is leave things a little grayer than before. The book, in other words, has been well loved.

That’s not surprising. Most favorite children’s books are. But there’s one thing about mine that’s different: With the exception of those pesky eraser marks, the damage wasn’t sustained in childhood. Those are adult wounds.

The Little Prince is not alone to suffer that horrible fate: the designation of “children’s book” where it’s anything but, where it is actually far more worthy of an adult designation than many a so-called “adult” work. Leaving such books to childhood is a mistake of the worst kind. Fail to re-read them from a more mature standpoint and you’re almost guaranteed to miss what they’re all about.

To a child, The Little Prince is the story of a boy who falls from the sky, meets lots of funny people on his travels, and then returns to his star. But take a closer look and you find as clear a commentary on everything that’s wrong with modern life—and what can be done to fix it—as you would in the most biting social satire.

Think back on those planets the boy visits on his trip to earth. Each inhabitant offers a profound lesson on how easily we can go wrong in our life choices. There’s the red-faced gentleman, who has “never smelled a flower…looked at a star… [or] loved anyone.” Why? He’s been too busy telling everyone that he’s a serious man—and acting the part. For, as we learn later on, he is a businessman. A businessman whose business is counting the stars, so that he might own them—but so preoccupied is he with the counting that he forgets to enjoy his wealth. (Witness this exchange: “And what use is it to you to own the stars?” “It makes me rich.” “And what is the point of being rich?” “It enables me to buy other stars.” The little prince is quick to note the circular reasoning. The man himself, not so much.)

There’s the lamplighter, whose job seems at first to be useful, until the prince realizes that it’s nothing but mindless routine. The lamplighter has no initiative, no perspective on his work or on how it can be made more efficient or effective. Instead, he blindly follows tradition. His answer to every question is the same: “Those are the orders.”

There’s the geographer who doesn’t explore, doesn’t leave his desk, doesn’t have time for such nonsense as seeing what surrounds his immediate vicinity or recording such ephemeral things as flowers. What’s the point of being a geographer, wonders the prince, if you know nothing about your own planet?

There’s the poignant drunkard, who drinks, “In order to forget.” To forget what? the little prince wants to know. “To forget that I am ashamed,” responds the drunkard. And of what, exactly? “Ashamed of drinking,” is the reply. A logic that may sound all too familiar in the world outside the little prince’s.

In that crowd, the subjectless king seems the least absurd of all. At the very least, he knows the limits of his authority. “If I were to order a general to fly from one flower to another like a butterfly, or to write a tragedy, or to change himself into a sea-bird,” he asks the little prince, “and if the general did not carry out the order, which one of us would be at fault?” A line of thinking many a real-life king would do well to adopt. And it is the king, too, who utters that hard-to-swallow truth: “It is far more difficult to judge oneself than to judge others.” A lesson all too many adults have trouble learning, no matter how many times it rears its unsightly head.

The little prince reminds us to have the proper perspective on the world around us: to be attentive and present, to know why we do what we do, to remain ever-curious, ever-inquisitive, ever-questioning, to remember the things that matter—and those that don’t. A child can’t realize the significance of the lesson, because it hasn’t yet been lost on him. The little prince’s vantage point is the only one he’s ever known.

The little prince isn’t alone in carrying insights that are lost on a child. What of Alice in her wonderland and mirrored adventures? Alice’s story may have been born from a tale told to children one lazy afternoon, but it became much more: a deep philosophical meditation.

In his Alice books, Lewis Carroll delves into such tricky ideas as the nature of identity and existence, the concept of nothingness and the quality of time, the line between sanity and insanity, between reality and dreams—and he does it in such a light-handed fashion that it almost makes you forget how weighty is the intellectual ground he covers.

From the book’s opening, we see Alice wrestling with existential dilemmas. How does she know she is she—and who is she, anyway? Does her essence change with her appearance, or does it remain immutable no matter what external changes—growing, shrinking, falling, traipsing through strange doors and such—take place? Can Alice be Mabel? She’s sure she can’t, “for I know all sorts of things, and she, oh, she knows such a very little! Besides, she’s she, and I’m I, and—oh dear, how puzzling it all is!” But soon enough, Alice realizes she’s forgotten what she’s known. Can she be Mabel after all, then? Does her knowledge make her who she is? Tricky business, this question of being.

In the Looking Glass, we encounter the forest that takes away the names of things—including little girls. Alice doesn’t want to lose her name. For if she did, they would “have to give me another, and it would be almost certain to be an ugly one.” Ugliness aside, notice that Alice never wavers in her certainty that everything must have a name. Namelessness may just as well be nonexistence.

And yet, as Carroll reminds us, a name is nothing more than a convention. Names are “useful to the people who name them.” The world doesn’t come with names built in—and continues on with or without the labels we put on it, just like the fawn walks with Alice when they are both anonymous, only to escape when he realizes that Alice is a human child. There’s no inherent fear; just the learned dread that comes with the name human. The forest is the land of pure existence without the trappings of convention, that place where the arbitrary connection between name and thing is severed.

The game of name and meaning gains momentum as Alice debates the nature and conventions of language with Humpty Dumpty and peaks with the entrance of the White Knight, with his logical tour-de-force of names, names of names, and everything in between. What’s in a name? wrote Shakespeare. Plenty, answers Carroll.

And not for nothing is the Cheshire Cat a darling of philosophers and mathematicians alike. He encapsulates the nature of existence, of time, of reality: three of the most bedeviling problems of the mind. He’s the one who tells Alice that she’s sure to go somewhere, “if you only walk long enough.” The one who informs her that “We’re all mad here. I’m mad. You’re mad,” echoing Plato’s Theaetetus in recognizing that madness is but an extension of sleeping and waking, that reality and unreality, dreams and waking are separated by a thin line indeed. He’s the philosopher personified. But how is a child to see beyond his fading grin?

If The Little Prince teaches broad perspective and the Alice books, a finer appreciation of the philosophical questions that life poses, the Winnie-the-Pooh stories offer astute character studies of some of society’s most recognizable personality types.

Who hasn’t met an Eeyore, the endless worrywart and eternal pessimist, who believes that the grass is the same dull brown no matter what side you’re on? Eeyore is the one who, in response to Pooh’s “how are you,” offers a “not very how.” And just contrast his and Pooh’s approach to the Mystery of the Missing Tail. “You must have left it somewhere,” says Pooh simply. “Somebody must have taken it,” counters Eeyore. Eeyore is the sardonic one. And we shan’t blame him if it rains.

And what group doesn’t have a Rabbit, the doer and planner, the busybody who needs to ensure that everyone is doing just what they’re supposed to be, when and how they are supposed to be doing it? Rabbit, the ever-practical. When Pooh gets stuck in his front door, he offers words of doubtful comfort: “I hope it won’t snow. And I say, old fellow, you’re taking up a good deal of room in my house—do you mind if I use your back legs as a towel-horse? Because, I mean, there they are—doing nothing—and it would be very convenient just to hang towels on them.” Convenient, indeed.

There’s Owl, the pompous scholar and aspiring intellectual, who is so much hot air behind his reputed ability to spell TUESDAY. Doubtless you’ve met him at a party or a conference, sometimes at the front of a classroom. Owl hides behind Big Words (“Can you read, Pooh?” he asks anxiously before agreeing to write a message for Eeyore’s birthday) and manages to get Rabbit—the one who actually can read and write—to consult him, and not the other way around. “Well, the customary procedure in such cases is as follows,” he tells Pooh importantly, when the bear asks what they’re to do about Eeyore’s missing tail. “What does Crustimoney Proseedcake mean?” asks Pooh. “It means the Thing to Do,” Owl explains—all the while not noticing that the tail in question is hanging by his front door.

There’s Piglet, the small animal who doesn’t like to commit to anything without being fully certain of its safety and who always has something else to attend to when the danger reaches a certain threshold—but who can rise to the occasion when occasion demands (case in point: the day Owl’s house falls down.) How important it is for him to prove that he has a grandfather—with two names, no less—looking out for him. “Supposing it was Fierce with Pigs,” he wonders of the Heffalump, “would it make any difference if the Pig had a grandfather called Trespassers William?”

And, of course, there is Pooh himself, who lives as in the moment as possible. The clock in his house is stopped perpetually at Luncheon Time—and there’s nothing that can’t be resolved with a little smackerel of something (preferably honey). But though Pooh sees himself as a bear of little brain, there’s nothing little-brained about him. Recall what happens on the Expotition to find the North Pole when baby Roo falls into the river. While Piglet jumps up and down, Kanga runs beside the stream to ask Roo if he’s all right, Owl explains what to do in a Sudden and Temporary Immersion, Eeyore puts his tail into the pool where Roo fell in long after Roo has gone downstream, and Rabbit authoritatively runs around and Organizes Everyone, Pooh is the only one who actually does something useful: He gets a stick, stands down-current from Roo, and helps Roo grab the stick when the current brings him to it. The essence of each character, revealed—as always with our true essence—in the height of emergency.

“When you wake up in the morning, Pooh,” Piglet asks him as their adventures near an end, “what’s the first thing you say to yourself?”

“What’s for breakfast?” Pooh answers. “What do you say, Piglet?”

“I say, I wonder what’s going to happen exciting today?” responds Piglet.

Pooh thinks it over. “It’s the same thing,” he says. And as adults, we can at last appreciate just how right he is.

It may seem silly to waste your time on books for children. But are we really wasting it—or using it to much better advantage? It’s like the Red Queen tells Alice, “You may call it ‘nonsense’ if you like, but I’ve heard nonsense compared with which that would be as sensible as a dictionary.

    • #books
    • #children's books
    • #lit
    • #philosophy
    • #life
  • 9 months ago
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+
'\x3cobject id=\x22flashObj\x22 width=\x22500\x22 height=\x22281\x22 classid=\x22clsid:D27CDB6E-AE6D-11cf-96B8-444553540000\x22 codebase=\x22http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,47,0\x22\x3e\x3cparam name=\x22movie\x22 value=\x22http://c.brightcove.com/services/viewer/federated_f9?isVid=1\x26amp;isUI=1\x22 /\x3e\x3cparam name=\x22bgcolor\x22 value=\x22#FFFFFF\x22 /\x3e\x3cparam name=\x22flashVars\x22 value=\x22videoId=1714099029001\x26amp;playerID=1054655355001\x26amp;playerKey=AQ~~,AAAABvb_NGE~,DMkZt2E6wO3_sfth6vHgTpNZZSEwcydt\x26amp;domain=embed\x26amp;dynamicStreaming=true\x22 /\x3e\x3cparam name=\x22base\x22 value=\x22http://admin.brightcove.com\x22 /\x3e\x3cparam name=\x22seamlesstabbing\x22 value=\x22false\x22 /\x3e\x3cparam name=\x22allowFullScreen\x22 value=\x22true\x22 /\x3e\x3cparam name=\x22swLiveConnect\x22 value=\x22true\x22 /\x3e\x3cparam name=\x22allowScriptAccess\x22 value=\x22always\x22 /\x3e\x3cembed src=\x22http://c.brightcove.com/services/viewer/federated_f9?isVid=1\x26amp;isUI=1\x22 bgcolor=\x22#FFFFFF\x22 flashvars=\x22videoId=1714099029001\x26amp;playerID=1054655355001\x26amp;playerKey=AQ~~,AAAABvb_NGE~,DMkZt2E6wO3_sfth6vHgTpNZZSEwcydt\x26amp;domain=embed\x26amp;dynamicStreaming=true\x22 base=\x22http://admin.brightcove.com\x22 name=\x22flashObj\x22 width=\x22500\x22 height=\x22281\x22 seamlesstabbing=\x22false\x22 type=\x22application/x-shockwave-flash\x22 allowfullscreen=\x22true\x22 allowscriptaccess=\x22always\x22 swliveconnect=\x22true\x22 pluginspage=\x22http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash\x22\x3e\x3c/embed\x3e\x3c/object\x3e'

Source: The Atlantic

    • #Asians in America
    • #asian americans
    • #courage
    • #life
    • #michelle kwan
    • #philosophy
    • #strong women
    • #truth
    • #watch
    • #olympics
  • 9 months ago
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+

We always want what we can’t have, and yet …

“I am living through days as happy as those God keeps for his chosen people; and whatever becomes of me, I can never say that I have not tasted the purest joys of life.”

    • #words
    • #personal
    • #life
    • #happiness
  • 9 months ago
  • Permalink
Share

Short URL

TwitterFacebookPinterestGoogle+
Page 1 of 4
← Newer • Older →

About

just a girl. not like any other.
Andrea's bookshelf: read

The Cardinal's BladesPeter & Max: A Fables NovelShades of Milk and HoneyShadow ProwlerPetty Magic: Being the Memoirs and Confessions of Miss Evelyn Harbinger, Temptress and TroublemakerThe Good Man Jesus and the Scoundrel Christ

More of Andrea's books »
Andrea's  book recommendations, reviews, quotes, book clubs, book trivia, book lists
Instagram

Following

  • nbcparksandrec
  • teawingco
  • whatshouldwecallme
  • thatkindofwoman
  • howdoiputthisgently
  • detailsorientedbyshapepluspace
  • prepfection
  • hjstory
  • burdge
  • stickyembraces
  • belle-de-nuit
  • mostexerent
  • xxi-departation
  • architectureblog
  • daisypies
  • evachen212
  • wordsforyoungmen
  • timeshaiku
  • theartofanimation
  • likeludgate
  • soupsoup
  • if-i-had
  • eriebasin
  • whitehouse
  • pointy-earedbastard
  • inezandvinoodh
  • longreads
  • neil-gaiman
  • datebynumbers
  • bookshelfporn
  • witanddelight
  • ilovecharts
  • madewell
  • myfriendsaremarried
  • joberholtzer
  • fuckyeahgodfreygao
  • beyonce
  • allsaints
  • youmightfindyourself
  • ethandesu
  • francescaroqueta
  • edwardshair
  • girlsack
  • theangrytherapist
  • newyorker
  • anthonilu
  • korranation
  • theatlantic
  • cozaaar
  • headlikeanorange
  • oscarprgirl
  • nprfreshair
  • sirigby
  • projectunbreakable
  • rocketrictic
  • jcrew
  • laphamsquarterly
  • motherjones
  • npr
  • annstreetstudio
  • smithsonianmag
  • good
  • livelymorgue
  • rollingrabbit
  • nickelcobalt
  • musingsinfemininity
  • thousand
  • dknyprgirl
  • altamiranyc
  • wtfevolution
  • frankocean
  • yeahyougotitlikethat
  • wheninlawschool
  • feministryangosling
  • textbook
  • sanfranciscowaits
  • parksandrecgifs
  • fuckyeahparksandrec
  • seventypercentethanol
  • texturism
  • fuckyeahfrancisco
  • boniverotica
  • klossgloss
  • awesomepeoplehangingouttogether
  • betterbooktitles
  • tittysandpancakes
  • dodocase
  • qualityxsprezzy
  • thekanyewestwing
  • pusheen
  • bookfessions
  • anti-oppressivebabyanimals
  • weddingpartytime
  • bot
  • bayareaquarterlife
  • mydaguerreotypeboyfriend
  • annsolo
  • fuckyeahmodelhomme
  • eatingturkey
  • sanfranliving
  • parksandbeyonce
  • micasaessucasa
  • nomarox
  • brandingtheuspresidents
  • heyrunnergirl
  • capitolcouture
  • iamdonald
  • ohheyla
  • mofarahrunningawayfromthings
  • fairytalesfor20somethings
  • doughcountryforoldmen
  • asianmalemodels
  • everydaycarry
  • better-faster-strongerr
  • the-longest-show-ever
  • samana
  • drollpranks
  • fuckyeahmenswear
  • emceezansari
  • lucilleandmitt
  • ymfy
  • plannedparenthoodsavedme
  • yelpingwithcormac
  • nikefound
  • textsfromhillaryclinton
  • hipsterpuppies
  • fuckyeahapihistory

Top

  • RSS
  • Random
  • Archive
  • I dare you.
  • Mobile
Effector Theme by Pixel Union